Retro Cinema: ‘Silver Bullet’

Retro Cinema: ‘Silver Bullet’

How can you go wrong when you mix Stephen King, Gary Busey, and one of the Coreys? Trick question… You can’t go wrong. Plus if you add in a few werewolves, and some campy gore, you’ve got a big bundle of 80s horror known as “Silver Bullet.”

Corey Haim plays Marty, a boy stuck in a wheelchair that’s been dubbed the Silver Bullet. The story is narrated by his older sister, Jane (Megan Follows), reminiscing about the past. But in the present the story’s set in, she pretty much feels that he’s a pain in the butt. That starts to change and they find themselves coming together when people in their small town are turning up not only dead, but ripped to pieces. And the murders are metaphorically ripping the town apart as well.

When Marty’s best friend becomes the latest victim, the townsfolk seek some vigilante justice and want to hunt down whoever — or whatever — is killing people, despite pleas from the local sheriff. Of course, they go out hunting it at night. During a full moon.

Do I really need to tell you how that’s going to end? Yeah.

When Uncle Red (Busey) comes to visit Marty and Jane, that’s when things get really interesting. After Uncle Red builds Marty a supercharged motorized wheelchair and gives him some fireworks, Marty sneaks out in the middle the night to go set them off. Little does he know, this will bring him face to face with the beast that is terrorizing his town. During this late-night confrontation, Marty injures the werewolf, putting out an eye. It escapes, so Marty and Jane go on a hunt around town to find out who has a telltale injured eye. And suffice it to say, it is not the person they expected.

Unfortunately, the werewolf knows that they know, so they have to rely on Uncle Red to protect them when the beast comes to attack the only ones who know his identity.

The movie is based on Stephen King’s short story, “Cycle of the Werewolf.” Many King adaptations tend to turn into more campy fun than horror when they hit the screen, and this film follows that trend. That doesn’t mean it isn’t good… I mean, this is a classic 80s horror film that’s a lot of fun. And I’ve always been really partial to werewolves, but don’t expect any fancy transformation scenes in this one. In fact, I think the werewolf sort of looks like a teddy bear — I’m guessing that wasn’t exactly the effect they were going for.

Of course, there’s a bittersweet element to it now in light of Haim’s early demise, and the living train wreck that Busey has become. This is a pre-“Lost Boys” Haim, before Hollywood tore him apart. And Busey is in his prime here. The film is family-friendly if you’re looking for a film for kids that still appeals to adults.

Although you might have to explain Busey’s line that he’s more nervous “then a virgin on prom night.”

Retro Cinema is a new column that reviews a different retro horror film every Monday. Subscribe at the top of the page for updates on new film reviews, interviews and horror news.

 

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Retro Cinema: ‘Hellraiser’

Retro Cinema: ‘Hellraiser’

It’s no coincidence that this week’s Retro Cinema choice is “Hellraiser.” Because in case you haven’t heard, the remake has been given a green light. Now, I know you hard-core horror fans like me are out there saying “Oh, God no, not another remake!” But fasten your seatbelts kids, because for once this is good news: Clive Barker is gonna direct and Doug Bradley is coming back as Pinhead.

Now that’s how you do a freakin’ remake.

When Barker first directed “Hellraiser,” he had a very limited budget and in fact, he confesses in the DVD commentary that he basically got the resurrection scene special effects done for much less than what it should’ve cost (only $25,000) because the studio liked what they saw of the film and threw a few more dollars their way. That scene wasn’t even in the original script due to not having a budget for it.

I think it’s fair to say that this time around, Barker won’t face those kinds of problems. Nor have to resort to the cheesy painted in special effects he did himself — those being my main criticism of the original as well as the pretty dreadful acting of Ashley Laurence (sorry, but it’s true.) Sure, there are a few things that went wrong, but a whole lotta things went right.

While I’m sure most people reading this have seen the film, I don’t want to give away too much just in case, but let’s just say after “Hellraiser,” people really didn’t look at hooks and chains quite the same way again. Nor their prim and proper British wives.

(more…)

New 'I Frankenstein' posters are badass!

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The new character posters for “I Frankenstein.”

If the director for the upcoming “I, Frankenstein” is as tasteful as the graphic designer, we should be in for at least a visual wonder when the film is released in January 2014. But then, whenever you have the producers of “Underworld” involved, you can pretty much presume horror eye candy is about to be unleashed.

Yes, new posters for “I, Frankenstein” were released at Comic-Con, so feast your eyes on them above.

Now, maybe I’m a little confused, but the last time I read Mary Shelley — you know, like… the book — I don’t remember any demons or gargoyles. Nor do I remember the monster being named Adam (no, that’s not a heavy-handed Biblical reference… not at all.) Of course, I don’t exactly remember him having six pack abs either, so,  jaded old snooty horror fan I am, I’m going to try to go with it. Especially with Aaron Eckhart starring, and the always delightfully-evil Bill Nighy as that demon-thingy.

Sweet.

Speaking of sweet and those six pack abs, check out this still:

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(Am I the only one who sees this and gets that Color Me Badd song “I Wanna Sex You Up… ” in my head?)

That’s for you, ladies, and a few of you guys, too. We believe in equal opportunity lechery around here, regardless of sexual orientation. We’re trailblazers that way.

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